From: [scott hollifield] at [the-matrix.com] (Scott Hollifield) Newsgroups: rec.arts.comics.misc Subject: Golden Age Annotation 1/5 Date: 18 Jan 94 23:49:00 GMT Annotations For _The Golden Age_ Written by Scott Hollifield ([scott hollifield] at [the-matrix.com]) General notes: THE GOLDEN AGE (subtitled: A Different Look at a Different Era) is a four-issue Elseworlds miniseries published by DC Comics, Inc. Written by James Robinson Illustrated by Paul Martin Colored by Richard Ory Lettered by John Costanza Copyright 1993 DC Comics. There are no page numbers in THE GOLDEN AGE. Each book is 48 pages; the story itself is 45 pages. The page numbers given here are counted by using the first page of the *story* as page 1. An awful lot of this file is used to point out where THE GOLDEN AGE differs with previously established DC universe continuity. Just so you know, yes, THE GOLDEN AGE is an Elseworlds story, meaning that it's not bound by continuity, but a good bit of it *does* use past continuity, and so I thought I'd point out which of it is, and which of it isn't. A lot of the continuity for the Golden Age characters was created by Roy Thomas, in ALL-STAR SQUADRON (and its successor, YOUNG ALL-STARS). Thomas' affection and dedication to the characters and their histories was extremely apparent in those stories, and he did an enormous amount of research in not only tying up various inconsistences that existed with the characters, but in also placing them in a consistent World War II historical context. DC has chosen to ignore a lot of what Thomas was single-handedly responsible for doing, notably the creation of new All-Stars like Amazing-Man and the female Firebrand (not to mention the entire lineup of the Young All-Stars, of whom only non-Thomas creations Dyna-Mite and Tigress are seen here), so sometimes it seems, to me anyway, as if Thomas has a rather thankless footnote in comics history, particularly given the low interest of Golden Age characters by modern readers. There is so much that Thomas did to breathe life into those characters, that you're going to see a lot of references to his writing in this file. Still, I'm happy that James Robinson acknowledged Thomas' work as much as he did (the marriage of Johnny Quick and Liberty Belle, the prominence of heroes like Robotman and Tarantula, who were quite obscure pre-Thomas, Hourman's addition to Miraclo). Given that the final roster of the All-Star Squadron listed fifty-two heroes, including three that never appeared with them and six others who did nothing but attend one of their meetings, there's a *lot* of ground to cover in handling the Golden Age; Thomas managed a lot of it, and Robinson takes a good-sized swipe at it. However, in the true style of Roy Thomas, who valued *continuity* almost as much as he did storytelling, I don't hesitate to point out examples where the visions of the two men differ. In other words, you've been warned!