Date: Tue, 8 Feb 94 16:55:25 EST From: [s--i--t] at [express.ctron.com] Subject: Superhero weddings W.I.T.* -- What I Think Honey? Was Dr. Doom on our guest list? By Gary St. Lawrence We all know that with great power comes great responsibility. But it goes further and holds equally true that with superhuman power comes superhuman problems. And where would this be better demonstrated than in a marriage between superheroes? Writing wedding vows for superheroes must be to comic book writers what the gold medal was to the Jamaican bobsled team. How do you convey the importance of "Do you take this man in sickness and health, cosmic armageddon and global destruction, mind transfer and knock-down drag-out slugfests more often than most people talk on the telephone" into the exchange of eternal love and devotion? Consider the marriages between major comic book characters. Do Lois & Clark have a chance? Are Chuck and Luornu Taine's relationship going to bounce? What about Scott Summers and Jean Grey? Is there really any hope for Reed and Sue Richards (assuming the former returns to the mortal coil)? We've all seen what marriage did for Clint "Hawkeye" Barton and Bobbi "Mockingbird" Morse. And we won't even approach the twisted romance of the Vision/ Scarlet Witch/Simon "Wonder Man" Williams menage a trois. For the most part, comic book marriages which outlast the Diamond Previews listings have considerable staying power. Garth and Imra, Jay and Joan, Bruce and Betty, Peter and MaryJane -- they've been enjoying nuptial bliss for some time now. The only divorce I can recall is Hank & Janet (Van Dyne) Pym, but even they've retained their mutual respect and friendship. A "tribute" to the multitude of the "I married a demon/clone/ monster" that dominated comics and pulps in the 1950s has taken the successful form a particular marriage in the 30th century, The marriage of Colossal Boy & Yera the Durlan (who impersonated his teenage love Phantom Girl) - - is still going strong. The common thread in superhero marriages is that they have to find or stumble upon an entire day when there isn't some maniacal would-be world dominator hatching his latest devious plot. And you try telling Doctor Doom that he has to reschedule his conquest so two people who have thwarted his mad efforts time and again can experience the ultimate moment of joy. As Al would say, "I don't think so, Tim." And even when heroes do walk down the aisle, they're attacked by everyone from The Purple Kumquat to a demented, genetically- altered worm with an old table radio tied around his neck. (See? I told you it was stupid. Nobody would buy that!) Superheroes destined for matrimony will be in love and devoted to each other for years before ever standing at the altar. And where the hell do they always find priests who will endanger themselves by being present at the inevitable villain-wrought carnage? And what church ordains weddings between people who are the incarnation of violence itself? It seems that whenever a pair of super-types are hit by Cupid, they're forever being stalled on their plans to make it legal. Now I know that planning and executing a wedding is an enormously stressful and arduous task in and of itself. Can you imagine how much harder it would be, while you're ordering the lilies and making down payments on a reception hall, if you also had to contend with Galactus dropping by to eat your planet? I think this would easily qualify as an extra-strength Excedrin day. And just imagine how stressful everyday life would be for Mr. and Mrs. Superhero. We've seen couples argue over grocery bills, Friday poker nights, that hair treatment smell, and leaving the cap off the toothpaste. It's not hard to imagine that a wife knowing her husband was off being stalked by several dozen different superhuman murderers, or a husband knowing his wife is off going one- on- one in combat in a back alley in the skimpiest of skimpy costumes with a drug dealer, might generate more than the silent treatment. I seriously doubt that Ward and June Cleaver would have had the patience to deal with the Beaver's hijinx if they'd been inter-dimensionally teleported to a nexus world to battle a slothlike television addict and his blade-wielding mercenary-assassins. And Eddie Haskell? The only "squirt" you'd hear out of him would have been the blood gushing from his severed throat. But think of the positive side: Just how much more ... relaxing ... would a honeymoon be if you'd just saved the galaxy from a malicious invading horde? Such are the things of which romantic legends are made. Of course, that's assuming that bride and groom have the slightest amount of stamina left to moon each other's honey. And why can't superheroes have realistic divorces? It seems that no two formerly married super-types can simply loathe each other to their core the way real ex-spouses do. As I mentioned the aforementioned Pym/Van Dyne pairing. They found that they no longer loved one another and couldn't stand to me together. Yet they share a bond of friendship stronger than most newlyweds have. Divorced people go their separate ways. Divorced superheroes spend their days protecting each other's lives and "genuinely wishing each other well." Gimme a break. Just once I'd like to see Mr. Superhero tell his former Missus what a lying, cheating @#%(*@# she is; and Mrs. Superhero tell her prior playmate what a slovenly, disgusting @*&%$! he is. I mean, let's have a little realism for a change. And what about kids? Is there some ancient written law that says that a superhero's kid can't be a screaming, spoiled brat? Even with a scorecard, you can't keep track of all the heroic, mature, public-minded, logical and practical 12- year-olds there are in the comic book universes. Franklin Richards, who chronologically is only about 10, is now a strapping, muscle- bound 18 year old. That isn't in itself unusual, except for the "aging" having happened in the span of two issues. Sheesh. How'd you like to take that kid shopping for Garanimals? Teenagers are "cool" -- or "kewel" as the "in" crowd says -- and "cool" sells a lot of books. Young kids want to be teenagers, which is why their comic counterparts spontaneously turn into teenagers before they even see puberty (which is probably rather difficult to portray in comics ... unless the kid's a mutant ... and then he becomes "kewel" by default). Take the Grendel: War Child mini-series, for instance. Eight-year-old Jupiter Assante, who should be fascinated with an Etch-A-Sketch, becomes the undisputed leader of his rebel band at the end of issue nine. On page one of #10, TA- DAAAH! Jupiter's nearly 18 and easily able to conquer the world. Matt Wagner joined the ranks of the sell-outs who don't bother with character development. They just whip an omnipotent boy- king on us and expect us to respond with ... "Kewel!" Sorry Matt. I just think you're a poor storyteller who capitalizes on shortcuts. So who says comic books don't deal with reality? They do. But in some cases, they just don't deal with it very realistically. _____________________ (_) ) "The only difference between a saint and a | The Saint | sinner is that every saint has a past and | [s--i--t] at [ctron.com] | every sinner has a future." | _________________|_ Oscar Wilde