From: Stewart Brower <[s--w] at [theshop.net]> Subject: [COLUMN] In The Bins (2) - A Little Knowledge... Date: Sun, 29 Sep 96 23:19:00 GMT Newsgroups: rec.arts.comics.info In the Bins (2) -- A Little Knowledge... by Stewart Brower, Copyright 1996. One thing about shopping for comics from non-collecting types: It takes all kinds. Let me tell you about one experience I had with a non-collector. Let's call her Seven. (That's not her real name BTW. But in order to protect the innocent and such...) Seven spent a great deal of time in the library where my wife Mandy (also not her name; my wife's name is Molly) used to work, and so the two became acquainted. Mandy found out that Seven had some comics, and had collected primarily during the late 60s-early 70s. Silver Age titles, many of them titles that I currently am tracking down. Lots of DC Kirby and war comics. Some early Legion and JLA. Good stuff, it sounded like, and she was wanting to sell for cash. So I asked Mandy to set up an appointment with Seven for me to go through her collection and possibly make her an offer. A beautiful Saturday morning in March, we met at Seven's house. I introduced myself as Steve (not my real name) and we went inside. She had spread out her comics all over the living room, in no particular order, and I pored over them while Mandy and Seven talked. By any collectors' standards, these were *not* great books. Rolled spines. Yellowed pages. Tears and stains. Crayon marks her brother had made. Rusting staples. Torn or missing covers. I selected about thirty books in Fair to Good condition. Some Justice League, Legion, and some Kirby Fourth World titles. And I tried to warn her. "It's always kind of hard to make that opening bid--I don't want to insult you or anything," I said. "Don't worry, Steve. You won't insult me." And then I insulted her. I offered her just under a dollar per book. I felt that it was an appropriate opening bid on comics that could only have value as reading copies. This was an opening bid -- I assumed she would have a counter offer. She didn't. "I just don't think we're going to come to an agreement here," she said. She was very kind about it, but it was obvious that she thought I was trying to pull a fast one. She had checked a friend's Overstreet on some of her titles and had convinced herself they were worth quite a bit more. Because she didn't know enough about the market to know how condition or resale v. guide price would factor into the equation. And it wasn't for me to try and educate her on the matter. Because everyone knows the "worth" of their own books -- these comics meant more to her than a dollar apiece, and I can respect that. Even if only for the memories they hold, comics are often worth more to the collector than guide price. We parted on friendly terms, but the experience reminded me that there are people out there who have a box of their kids' comics in the attic, aged and covered in dust, who will go to the store, buy the latest Wizard, and convince themselves the comics are worth a fortune. "Fair value" is determined by how much a buyer is willing to pay, and a seller is willing to accept; sometimes, as a collector, you clash with someone on the idea of fair value. While you hate to crush someone's idea of retiring on the proceeds of their crumbling, yellowed pile of near and dear four-color pulp, the truth of the matter is that there aren't a lot of layman's collections out there that are worth more than was spent on them--except in their owner's heart. So, herewith are some tips on dealing with the non-collector: 1. "I won't be able to give you what they're worth." Always a good opening. Pretty much always true, and it serves to warn the seller that you as buyer might not be able to give the seller what they want. Also, it faces up, in a more subtle way, to the fact that the seller should have some idea of what they are "worth" to them. 2. Have seller make the opening bid. This is far more direct than #1, and also a heckuva lot less likely to happen. I would just about always make this offer to the non-collector, in hopes that they might have done a little research and figured out what their comics rate on the market. Probably, they won't have done this, but you never can tell. It can also provide the prospective buyer a chance to say, "Whoa. Sorry, but that's too steep for me," and just walk away. 3. Provide grading and price guides to the seller. *Very risky!* In fact, I would only do this with non-collectors I know well. Case in point, a recent visit from a college bud, Lyle (his real name), became a real education for the both of us. He had some comics from the past several years that he needed to unload before making the big sojourn to his new home in Albuquerque. He passed through Oklahoma City, spent a night, and in the morning we reviewed his collection so I could make him an offer. We looked the stuff up in a couple of price guides I had, and I could read the surprise and dismay in his expression when he discovered that most of his books were pricing out at under cover. But then we found his Sandman #1-20 or so and the situation turned. I couldn't give him as much for that title as he would be able to get on down the road from another collector, and so I recommended that he hold on to them for awhile longer. I could only have been this frank with a friend. Price guides are risky because they could mislead a non-collector into thinking his or her books are worth substantially more than they actually are. Grading guides vary in their usefulness, especially in how often they leave loopholes of subjectivity to be exploited. I would never just hand these over to a non-collector and hope they use them correctly. Nor could I embarrass them by trying to explain every nuance of comic pricing to them. That kind of embarrassment is best saved for old close friends. *** Thanks for listening again. Special thanks to Elmo for the words of encouragement. Also a big howdy to Eddie Mitchell, whom I hope to see writing a "bargain bins" review column soon. I'm sure you all feel likewise. I apologize for this column running so late. Chalk it up to my ISP changing out newservers -- and don't even get me started about the University's problems. Every other week from here on out, I promise! I make mention of price guides in this column. A touchy subject, by recent traffic on RACMisc. I hope to do a little more research and write up a column on them soon. Keep watching for it. But next time around, some thoughts on RACMarketplace and dealing in comics on the 'net. Hope to see you in the bins! Stewart Brower [s--w] at [theshop.net] This column was posted to RACInfo, RACMisc, and RACMarketplace.