Chapter 54: The Houses of M. Fouquet

Whilst D’Artagnan was returning to Planchet’s house, his head aching and bewildered with all that had happened to him, there was passing a scene of quite a different character, and which, nevertheless is not foreign to the conversation our musketeer had just had with the king; only this scene took place out of Paris, in a house possessed by the superintendent Fouquet in the village of Saint-Mande. The minister had just arrived at this country-house, followed by his principal clerk, who carried an enormous portfolio full of papers to be examined, and others waiting for signature. As it might be about five o’clock in the afternoon, the masters had dined: supper was being prepared for twenty subaltern guests. The superintendent did not stop: on alighting from his carriage, he, at the same bound, sprang through the doorway, traversed the apartments and gained his cabinet, where he declared he would shut himself up to work, commanding that he should not be disturbed for anything but an order from the king. As soon as this order was given, Fouquet shut himself up, and two footmen were placed as sentinels at his door. Then Fouquet pushed a bolt which displaced a panel that walled up the entrance, and prevented everything that passed in this apartment from being either seen or heard. But, against all probability, it was only for the sake of shutting himself up that Fouquet shut himself up thus, for he went straight to a bureau, seated himself at it, opened the portfolio, and began to make a choice amongst the enormous mass of papers it contained. It was not more than ten minutes after he had entered, and taken all the precautions we have described, when the repeated noise of several slight equal knocks struck his ear, and appeared to fix his utmost attention. Fouquet raised his head, turned his ear, and listened.

The strokes continued. Then the worker arose with a slight movement of impatience and walked straight up to a glass behind which the blows were struck by a hand, or by some invisible mechanism. It was a large glass let into a panel. Three other glasses, exactly similar to it, completed the symmetry of the apartment. Nothing distinguished that one from the others. Without doubt, these reiterated knocks were a signal; for, at the moment Fouquet approached the glass listening, the same noise was renewed, and in the same measure. “Oh! oh!” murmured the intendent, with surprise, “who is yonder? I did not expect anybody to-day.” And, without doubt, to respond to that signal, he pulled out a gilded nail near the glass, and shook it thrice. Then returning to his place, and seating himself again, “Ma foi! let them wait,” said he. And plunging again into the ocean of papers unrolled before him, he appeared to think of nothing now but work. In fact with incredible rapidity and marvelous lucidity, Fouquet deciphered the largest papers and most complicated writings, correcting them, annotating them with a pen moved as if by a fever, and the work melting under his hands, signatures, figures, references, became multiplied as if ten clerks--that is to say, a hundred fingers and ten brains had performed the duties, instead of the five fingers and single brain of this man. From time to time, only, Fouquet, absorbed by his work, raised his head to cast a furtive glance upon a clock placed before him. The reason of this was, Fouquet set himself a task, and when this task was once set, in one hour’s work he, by himself, did what another would not have accomplished in a day; always certain, consequently, provided he was not disturbed, of arriving at the close in the time his devouring activity had fixed. But in the midst of his ardent labor, the soft strokes upon the little bell placed behind the glass sounded again, hasty, and, consequently, more urgent.

“The lady appears to be impatient,” said Fouquet. “Humph! a calm! That must be the comtesse; but, no, the comtesse is gone to Rambouillet for three days. The presidente, then? Oh! no, the presidente would not assume such grand airs; she would ring very humbly, then she would wait my good pleasure. The greatest certainty is, that I do not know who it can be, but that I know who it cannot be. And since it is not you, marquise, since it cannot be you, deuce take the rest!” And he went on with his work in spite of the reiterated appeals of the bell. At the end of a quarter of an hour, however, impatience prevailed over Fouquet in his turn: he might be said to consume, rather than to complete the rest of his work; he thrust his papers into his portfolio, and giving a glance at the mirror, whilst the taps continued faster than ever: “Oh! oh!” said he, “whence comes all this racket? What has happened, and who can the Ariadne be who expects me so impatiently. Let us see!”

He then applied the tip of his finger to the nail parallel to the one he had drawn. Immediately the glass moved like a folding-door and discovered a secret closet, rather deep, in which the superintendent disappeared as if going into a vast box. When there, he touched another spring, which opened, not a board, but a block of the wall, and he went out by that opening, leaving the door to shut of itself. Then Fouquet descended about a score of steps which sank, winding, underground, and came to a long, subterranean passage, lighted by imperceptible loopholes. The walls of this vault were covered with slabs or tiles, and the floor with carpeting. This passage was under the street itself, which separated Fouquet’s house from the Park of Vincennes. At the end of the passage ascended a winding staircase parallel with that by which Fouquet had entered. He mounted these other stairs, entered by means of a spring placed in a closet similar to that in his cabinet, and from this closet an untenanted chamber furnished with the utmost elegance. As soon as he entered, he examined carefully whether the glass closed without leaving any trace, and, doubtless satisfied with his observation, he opened by means of a small gold key the triple fastenings of a door in front of him. This time the door opened upon a handsome cabinet sumptuously furnished, in which was seated upon cushions a lady of surpassing beauty, who at the sound of the lock sprang towards Fouquet. “Ah! good heavens!” cried the latter, starting back with astonishment. “Madame la Marquise de Belliere, you here?”

“Yes,” murmured la marquise. “Yes; it is I, monsieur.”

“Marquise! dear marquise!” added Fouquet, ready to prostrate himself. “Ah! my God! how did you come here? And I, to keep you waiting!”

“A long time, monsieur; yes, a very long time!”

“I am happy in thinking this waiting has appeared long to you, marquise!”

“Oh! an eternity, monsieur; oh! I rang more than twenty times. Did you not hear me?”

“Marquise, you are pale, you tremble.”

“Did you not hear, then, that you were summoned?”

“Oh, yes; I heard plainly enough, madame; but I could not come. After your rigors and your refusals, how could I dream it was you? If I could have had any suspicion of the happiness that awaited me, believe me, madame, I would have quitted everything to fall at your feet, as I do at this moment.”

“Are we quite alone, monsieur?” asked the marquise, looking round the room.

“Oh, yes, madame, I can assure you of that.”

“Really?” said the marquise, in a melancholy tone.

“You sigh!” said Fouquet.

“What mysteries! what precautions!” said the marquise, with a slight bitterness of expression; “and how evident it is that you fear the least suspicion of your amours to escape.”

“Would you prefer their being made public?”

“Oh, no; you act like a delicate man,” said the marquise, smiling.

“Come, dear marquise, punish me not with reproaches, I implore you.”

“Reproaches! Have I a right to make you any?”

“No, unfortunately, no; but tell me, you, who during a year I have loved without return or hope----”

“You are mistaken--without hope it is true, but not without return.”

“What! for me, of my love! there is but one proof, and that proof I still want.”

“I am here to bring it, monsieur.”

Fouquet wished to clasp her in his arms, but she disengaged herself with a gesture.

“You persist in deceiving yourself, monsieur, and never will accept of me the only thing I am willing to give you--devotion.”

“Ah, then, you do not love me? Devotion is but a virtue, love is a passion.”

“Listen to me, I implore you: I should not have come hither without a serious motive: you are well assured of that, are you not?”

“The motive is of very little consequence, so that you are but here--so that I see you--so that I speak to you!”

“You are right; the principal thing is that I am here without any one having seen me, and that I can speak to you.”--Fouquet sank on his knees before her. “Speak! speak, madame!” said he, “I listen to you.”

The marquise looked at Fouquet, on his knees at her feet, and there was in the looks of the woman a strange mixture of love and melancholy. “Oh!” at length murmured she, “would that I were she who has the right of seeing you every minute, of speaking to you every instant! would that I were she who might watch over you, she who would have no need of mysterious springs, to summon and cause to appear, like a sylph, the man she loves, to look at him for an hour, and then see him disappear in the darkness of a mystery, still more strange at his going out than at his coming in. Oh! that would be to live a happy woman!”

“Do you happen, marquise,” said Fouquet, smiling, “to be speaking of my wife?”

“Yes, certainly, of her I spoke.”

“Well, you need not envy her lot, marquise; of all the women with whom I have any relations, Madame Fouquet is the one I see the least of, and who has the least intercourse with me.”

“At least, monsieur, she is not reduced to place, as I have done, her hand upon the ornament of a glass to call you to her; at least you do not reply to her by the mysterious, alarming sound of a bell, the spring of which comes from I don’t know where; at least you have not forbidden her to endeavor to discover the secret of these communications under pain of breaking off forever your connections with her, as you have forbidden all who have come here before me, and all who will come after me.”

“Dear marquise, how unjust you are, and how little do you know what you are doing in thus exclaiming against mystery; it is with mystery alone we can love without trouble; it is with love without trouble alone that we can be happy. But let us return to ourselves, to that devotion of which you were speaking, or rather let me labor under a pleasing delusion, and believe that this devotion is love.”

“Just now,” repeated the marquise, passing over her eyes a hand that might have been a model for the graceful contours of antiquity; “just now I was prepared to speak, my ideas were clear and bold, now I am quite confused, quite troubled; I fear I bring you bad news.”

“If it is to that bad news I owe your presence, marquise, welcome be even that bad news! or rather, marquise, since you allow that I am not quite indifferent to you, let me hear nothing of the bad news, but speak of yourself.”

“No, no, on the contrary, demand it of me; require me to tell it to you instantly, and not to allow myself to be turned aside by any feeling whatever. Fouquet, my friend! it is of immense importance!”

“You astonish me, marquise; I will even say you almost frighten me. You, so serious, so collected; you who know the world we live in so well. Is it, then important?”

“Oh! very important.”

“In the first place, how did you come here?”

“You shall know that presently; but first to something of more consequence.”

“Speak, marquise, speak! I implore you, have pity on my impatience.”

“Do you know that Colbert is made intendant of the finances?”

“Bah! Colbert, little Colbert.”

“Yes, Colbert, little Colbert.”

“Mazarin’s factotum?”

“The same.”

“Well! what do you see so terrific in that, dear marquise? little Colbert is intendant; that is astonishing, I confess, but is not terrific.”

“Do you think the king has given, without a pressing motive, such a place to one you call a little cuistre?”

“In the first place, is it positively true that the king has given it to him?”

“It is so said.”

“Ay, but who says so?”

“Everybody.”

“Everybody, that’s nobody; mention some one likely to be well informed who says so.”

“Madame Vanel.”

“Ah! now you begin to frighten me in earnest,” said Fouquet, laughing; “if any one is well informed, or ought to be well informed, it is the person you name.”

“Do not speak ill of poor Marguerite, Monsieur Fouquet, for she still loves you.”

“Bah! indeed? That is scarcely credible. I thought little Colbert, as you said just now, had passed over that love, and left the impression upon it of a spot of ink or a stain of grease.”

“Fouquet! Fouquet! Is this the way you always treat the poor creatures you desert?”

“Why, you surely are not going to undertake the defense of Madame Vanel?”

“Yes, I will undertake it: for, I repeat, she loves you still, and the proof is she saves you.”

“But your interposition, marquise; that is very cunning on her part. No angel could be more agreeable to me, or could lead me more certainly to salvation. But, let me ask you do you know Marguerite?”

“She was my convent friend.”

“And you say that she has informed you that Monsieur Colbert was named intendant?”

“Yes, she did.”

“Well, enlighten me, marquise; granted Monsieur Colbert is intendant--so be it. In what can an intendant, that is to say my subordinate, my clerk, give me umbrage or injure me, even if he is Monsieur Colbert?”

“You do not reflect, monsieur, apparently,” replied the marquise.

“Upon what?”

“This: that Monsieur Colbert hates you.”

“Hates me?” cried Fouquet. “Good heavens! marquise, whence do you come? where can you live? Hates me! why all the world hates me, he, of course as others do.”

“He more than others.”

“More than others--let him.”

“He is ambitious.”

“Who is not, marquise?”

“‘Yes, but with him ambition has no bounds.”

“I am quite aware of that, since he made it a point to succeed me with Madame Vanel.”

“And obtained his end; look at that.”

“Do you mean to say he has the presumption to hope to pass from intendant to superintendent?”

“Have you not yourself already had the same fear?”

“Oh! oh!” said Fouquet, “to succeed with Madame Vanel is one thing, to succeed me with the king is another. France is not to be purchased so easily as the wife of a maitre des comptes.”

“Eh! monsieur, everything is to be bought; if not by gold, by intrigue.”

“Nobody knows to the contrary better than you, madame, you to whom I have offered millions.”

“Instead of millions, Fouquet, you should have offered me a true, only and boundless love: I might have accepted that. So you see, still, everything is to be bought, if not in one way, by another.”

“So, Colbert, in your opinion, is in a fair way of bargaining for my place of superintendent. Make yourself easy on that head, my dear marquise; he is not yet rich enough to purchase it.”

“But if he should rob you of it?”

“Ah! that is another thing. Unfortunately, before he can reach me, that is to say, the body of the place, he must destroy, must make a breach in the advanced works, and I am devilishly well fortified, marquise.”

“What you call your advanced works are your creatures, are they not--your friends?”

“Exactly so.”

“And is M. d’Eymeris one of your creatures?”

“Yes, he is.”

“Is M. Lyodot one of your friends?”

“Certainly.”

“M. de Vanin?”

“M. de Vanin! ah! they may do what they like with him, but----”

“But----”

“But they must not touch the others!”

“Well, if you are anxious they should not touch MM. d’Eymeris and Lyodot, it is time to look about you.”

“Who threatens them?”

“Will you listen to me now?”

“Attentively, marquise.”

“Without interrupting me?”

“Speak.”

“Well, this morning Marguerite sent for me.”

“And what did she want with you?”

“‘I dare not see M. Fouquet myself,’ said she.”

“Bah! why should she think I would reproach her? Poor woman, she vastly deceives herself.”

“‘See him yourself,’ said she, ‘and tell him to beware of M. Colbert.’”

“What! she warned me to beware of her lover?”

“I have told you she still loves you.”

“Go on, marquise.”

“‘M. Colbert,’ she added, ‘came to me two hours ago, to inform me he was appointed intendant.’”

“I have already told you marquise, that M. Colbert would only be the more in my power for that.”

“Yes, but that is not all: Marguerite is intimate, as you know, with Madame d’Eymeris and Madame Lyodot.”

“I know it.”

“Well, M. Colbert put many questions to her, relative to the fortunes of those two gentlemen, and as to the devotion they had for you.”

“Oh, as to those two, I can answer for them; they must be killed before they will cease to be mine.”

“Then, as Madame Vanel was obliged to quit M. Colbert for an instant to receive a visitor, and as M. Colbert is industrious, scarcely was the new intendant left alone, before he took a pencil from his pocket, and as there was paper on the table, began to make notes.”

“Notes concerning d’Eymeris and Lyodot?”

“Exactly.”

“I should like to know what those notes were about.”

“And that is just what I have brought you.”

“Madame Vanel has taken Colbert’s notes and sent them to me?”

“No, but by a chance which resembles a miracle, she has a duplicate of those notes.”

“How could she get that?”

“Listen; I told you that Colbert found paper on the table.”

“Yes.”

“That he took a pencil from his pocket.”

“Yes.”

“And wrote upon that paper.”

“Yes.”

“Well, this pencil was a lead-pencil, consequently hard; so it marked in black upon the first sheet, and in white upon the second.”

“Go on.”

“Colbert, when tearing off the first sheet, took no notice of the second.”

“Well?”

“Well, on the second was to be read what had been written on the first, Madame Vanel read it, and sent for me.”

“Yes, yes.”

“Then, when she was assured I was your devoted friend, she gave me the paper, and told me the secret of this house.”

“And this paper?” said Fouquet, in some degree of agitation.

“Here it is, monsieur--read it,” said the marquise.

Fouquet read:

“Names of the farmers of revenue to be condemned by the Chamber of Justice: D’Eymeris, friend of M. F.; Lyodot, friend of M. F.; De Vanin, indif.”

“D’Eymeris and Lyodot!” cried Fouquet, reading the paper eagerly again.

“Friends of M. F.,” pointed the marquise with her finger.

“But what is the meaning of these words: ‘To be condemned by the Chamber of Justice’?”

“Dame!” said the marquise, “that is clear enough, I think. Besides, that is not all. Read on, read on;” and Fouquet continued,---“The two first to death, the third to be dismissed, with MM. d’Hautemont and de la Vallette, who will only have their property confiscated.”

“Great God!” cried Fouquet, “to death, to death! Lyodot and D’Eymeris. But even if the Chamber of Justice should condemn them to death, the king will never ratify their condemnation, and they cannot be executed without the king’s signature.”

“The king has made M. Colbert intendant.”

“Oh!” cried Fouquet, as if he caught a glimpse of the abyss that yawned beneath his feet, “impossible! impossible! But who passed a pencil over the marks made by Colbert?”

“I did. I was afraid the first would be effaced.”

“Oh! I will know all.”

“You will know nothing, monsieur; you despise your enemy too much for that.”

“Pardon me, my dear marquise; excuse me; yes, M. Colbert is my enemy, I believe him to be so; yes, M. Colbert is a man to be dreaded, I admit. But I! I have time, and as you are here, as you have assured me of your devotion, as you have allowed me to hope for your love, as we are alone----”

“I came here to save you, Monsieur Fouquet, and not to ruin myself,” said the marquise, rising--“therefore, beware!----”

“Marquise, in truth you terrify yourself too much at least, unless this terror is but a pretext----”

“He is very deep, very deep; this M. Colbert: beware!”

Fouquet, in his turn, drew himself up. “And I?” asked he.

“And you, you have only a noble heart. Beware! beware!”

“So?”

“I have done what was right, my friend, at the risk of my reputation. Adieu!”

“Not adieu, au revoir!”

“Perhaps,” said the marquise, giving her hand to Fouquet to kiss, and walking towards the door with so firm a step, that he did not dare to bar her passage. As to Fouquet, he retook, with his head hanging down and a fixed cloud on his brow, the path of the subterranean passage along which ran the metal wires that communicated from one house to the other, transmitting, through two glasses, the wishes and signals of hidden correspondents.